“Of course they’re guilty. How is it possible for men to cross women time and time again and go unpunished? If men were held accountable they’d hang hour after hour, every day of the year.”
This crucial line from the new adaptation of Wilkie Collins' A Woman in White comes during the first 60 seconds of a visually striking five-part series on PBS. But something about it seems all wrong. Not because it lacks truth but because it does Collins' novel an injustice.
Part of the fun of the story--one of the first and finest mysteries ever written--is deciding for yourself who did what to whom and whether they're guilty or not.
This 2018 adaptation seems to tip the hand in favor of certainty from the get-go. Its avenging-victim theme is so pronounced, I wondered if screenwriter Fiona Seres was more interested in making a case for #MeToo than in remaining true to the taut thread of suspense that makes the book such a thrilling ride
Voting with Your Middle Finger: How Working-Class Whites Became a Negative Stereotype & What That Means for You
Last weekend I came across a Hidden Brain podcast called “Voting with Your Middle Finger,” which reveals some unpleasant insights about the adverse effects of stereotyping others. Since I'm black, I know how it feels to be seen as a stereotype. You get pigeonholed as a concept before anyone even bothers to ask your name. Definitely not fun. But in this case, the stereotyping is about what happened to white blue-collar workers over the past several decades We already know that Donald Trump got into the White House by tapping into their pain. But there's a lot more to the story than that. Why, for instance, do his followers remain loyal to him no matter what?
This Hidden Brain podcast is a discussion with two authors who break down the significance of race and class in determining voter behavior. Whether you realize it or not, your class identification--the way you move through the world and relate to others--tips the scale almost as much as race. Sure, sure. But there's an aspect to this we tend to overlook.
I'm a storyteller whose background includes talk radio, newspapers and TV news. I've hosted a morning-drive classical music program on the California coast and published nationally in Reader's Digest, the Christian Science Monitor, and Playboy. I've won awards for my journalism and my fiction. One of my essays even made it into an anthology for college English courses. For real? Yes, for real.
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