Did Agatha Christie Steal from Another Writer?
If you were to ask any ten people if they knew who wrote Orient Express, all ten would likely say, "Why Agatha Christie, of course." And they'd be wrong.
That's because two years after Graham Greene published Orient Express, the novel that put him on the map in 1932, Christie published a far more popular novel with a similar name. In the UK, there'd have been no confusion over the two. The original title of Greene's book was Stamboul Train. It was only when his novel was published in the United States that its title was changed in 1934.
I've owned Orient Express for several years but only just got around to reading it. Still in brand new condition, it practically leapt off the shelf demanding to be read. This is one of the nice things about having actual books around. They say things as you pass by to gather dishes or switch off the lamp.
Don't get me wrong. I enjoy my eBooks in part because I can carry ten or twenty of them on a jet without having to pay extra for another bag. It's also nice to look up an unfamiliar word by placing your finger on it. I mean, that's cool. But once an eBook is stored away inside your eReader, it's out of sight and mostly out of mind. It doesn't jump off the shelf, reminding you of the day you made the purchase. The things that were going on in your life at the time. The reason you chose it in the first place. What you hoped to find between its covers. Demanding to be read if not now, when?
Since Greene's book was published first, I wondered if Christie had taken a rib from his novel to create her own. Did she believe, as Picasso did, that it's alright to steal from another artist if you think you can do it better?
There is, for instance, a significant snow delay in both. Each involves a murder. Both include a diverse ensemble of characters. And there is a shared interest in foreign police to one degree or another as the train penetrates the east European hinterland.
But beyond those similarities—and the fact that both stories take place aboard a train—the two books are as unalike as Ice-T and Ice Cube.
Although some would argue that one of these Orient Express novels is superior to the other, I am not here to play that game. My purpose is to say simply that I was deeply affected by Greene's novel. And I want to tell you why.
'You're a Woman, Ain't you? Well, this is a kitchen.' Why Tara Westover's 'Educated' Will Remain a Must-Read for a Very Long Time
Ellen DeGeneres read it because Michelle Obama told her to. Bill Gates said it’s even better than you’ve heard. Barack Obama put it on his best books list. So did Amazon. Time Magazine named its 32-year-old author to its Top 100 list. I read it for all these reasons and because a retired high school headmaster, one of my best friends, encouraged me to.
You might not think a book about going to school would read like a page-turning thriller. But Tara Westover’s Educated does just that. It is without question one of the most extraordinary books I’ve ever read.
Even if you have to wait twenty weeks to get it from your local public library (as I did)—here’s why you should read it. Westover’s story is not just about getting a highfalutin degree. It’s about her multi-leveled struggle to become herself against insufferable odds. This is what Jungians call individuation. It’s what Dr. Wayne Dyer referred to as “leaving the tribe.” You think that’s easy? Try it.
But Westover’s memoir is more than that. Raised by survivalist parents on an Idaho mountain, her obstacles include the people she loves—her family. They involve received ideas about God and religion—the Mormon fundamentalism she was brought up with. She must climb over a wall that includes unquestioned loyalty to male power figures. You’re a woman, ain’t you? Well, this is a kitchen.
Why We No Longer Hear Angels - and a Few Words about Tennis, Chess, Prison & the Healing Power of Classical Music
If you’ve ever visited the circus or a city like San Francisco, then you know a barker is someone who stands outside a theater or sideshow and calls out to passersby to get them interested in what's happening inside the tent. The word comes to mind just now because there seems to be a lot of barking in the public arena these days. And a lot of braying too. All of it a distraction from the things that probably matter most to you—if you haven’t been too distracted by all that noise to figure out what that is.
So, let me depart from my usual commentary in order to share a few things I found touching recently, which you may find interesting too.
WHY WE NO LONGER HEAR ANGELS
The following clip is from Faraway, So Close—a beautiful 1993 film by Wim Wenders, which I heard about this year from a writer friend on Twitter. At only two minutes and fifteen seconds, this bit of dialogue gets to the core of why all that barking can be harmful. It depicts a telepathic conversation between two angels, Raphaela (Nastassja Kinski) and Cassiel (Otto Sander), as they consider why it’s so difficult for their guidance to reach us the way it used to back in the day.
Fans of Penny Mickelbury’s detective fiction will not be disappointed in her latest novel. Death’s Echoes marks the return of two favorite characters from her early work, Police Lt. Gianna Maglione and investigative reporter, Mimi Patterson, who is her professional confidante and lover.
Most people live life dying. It shows in their attitude, their response to circumstances and ultimately in their physical health and appearance. But there is an alternative, an open secret, which is also the key to a happy and fulfilling life: Live life living.
The foregoing paraphrase is my key take-away from Robert Henri's wonderful book, The Art Spirit, which was loaned to me years ago by an 80-year-old sculptor, who was also my neighbor in the island-country north of Seattle and one of the most youthful people I have ever known.
I mention it now because Robert Henri was born on this day, 6/24/1865. He was a leading figure in the Ashcan School of American Realism, a founding member of "The Eight," and a gifted an inspired teacher.
If you check out comments and reviews for The Art Spirit on Goodreads or Amazon, you will find a common theme — it’s not just a book for painters, though it contains technical guidance they will find useful. It’s a book for anyone who wants to live a richer and happier life. In the end, it’s about connection to spirit. Connection to source. Make that connection, and you find the secret to life, the key that makes it possible to “life life living” instead of the daily dying most people settle for. That quiet desperation Thoreau spoke about.
You don’t have to be a painter, sculptor, poet or musician in order to life a creative life. If your goal is to live life to the fullest, to remain youthful in spirit all your life, here are five ideas you’ll find in Robert Henri’s The Art Spirit, which offer a bit of motivation, inspiration, and guidance.
I like big books, and I cannot lie. My background includes talk radio, newspapers and TV news. I've hosted a morning-drive classical music program on the California coast and published nationally in Reader's Digest, the Christian Science Monitor, and Playboy. I've won awards for my journalism and my fiction. One of my essays even made it into an anthology for college English courses. For real? Yes, for real.
If you’re reading this website, think of me as a troubadour standing on the street corner, strumming a guitar and singing a few songs. Not everyone who comes this way is able to make contribution. But if you’re one of the passers-by who can, then feel free to drop a little spare change in my hat by clicking either the Donate or the Become a Patron button below.