​A few years ago, I was sure I’d never set foot on Atlanta’s beautiful Oglethorpe University campus again.  That’s because Georgia Shakespeare, which staged its productions at the university’s Conant Performing Arts Center, finally gave up the ghost in 2006 after nearly three decades.  

This was not the fault of Oglethorpe by any means.  But without Georgia Shakespeare, there seemed no reason to return to the campus.  The end of those fine productions was a  great loss to the city’s cultural landscape, and I kept hoping it might rise from its own ashes, a Phoenix like Atlanta itself.  So far that has not happened.  But last weekend I found myself making the familiar turn off Peachtree Road onto the school's Brookhaven campus for a decidedly non-Shakespearean production of the Tony-Award-winning musical Spring Awakening. 
 
If I’d taken the time to investigate further, I probably wouldn’t have driven through Saturday’s horrible rainstorm for what turned out to be a student production.  Purchasing the tickets online was a knee-jerk decision.  I clicked “buy” only because veteran actor and director Richard Garner, co-founder of Georgia Shakespeare, was listed as director.  I’d seen plenty of his work on the university campus, most of it featuring Equity actors, and that’s all it took to clinch the deal. 

When you hear what I have to say about what happened at the courthouse that day, you may decide that I'm racist.  After all, it's not the kind of charge one can easily deny these days.  Not even if you're the least racist person in the world.  But the truth is, there's no way to relate what happened without brining race into it.  In a way, the whole thing was about race.  And it all began before the jury was selected.  Before the defendant was even arrested. ​

The place is Georgia.  The month, August.  It’s hot, and we’ve been stuck here since 8:00 AM.  For most of that time, it’s been impossible to ignore a young white woman who’s been flitting about, laughing and chatting since we got here.  Her laugh is infectious.  She’s added a certain levity to the day.  A lift even the espresso I got from a vendor couldn’t quite compete with.  Then near the end of the day, she says this: 

 “Oh my God, I think I might have bought drugs from this guy back in high school.”

Recently, I finally got around to checking out the celebrated British TV series,  Foyle’s War — and found it impossible to ignore the way this echo from the past foreshadowed two news events that occurred the same day.

The first was Donald Trump’s visits to El Paso, Texas, and Dayton, Ohio, in the aftermath of last weekend’s mass shootings.  The second was the mass arrest of 678 undocumented immigrants at seven agricultural-processing plants across Mississippi, the largest raid of its kind in American history, topping the previous record of 595 in 2008.    
 
You know that old saying about how there’s 20/20 vision with hindsight?  And the one that says those who ignore the lessons of history are doomed to repeat them?  Well, that’s why my first viewing of the Foyle franchise keeps rattling around in my brain.  

It is a hot midsummer's day in a small town just north of Atlanta shortly before the Epstein sex scandal hits the fan.  Maybe the teenage girl who passes me as I exit the department store is sexy.  But I don't think so.  

She's asparagus thin and much taller than the older rounder woman, possibly her mother, who enters the store alongside her.  They do not speak to each other or to me.  The girl's gaze is downward, her attention is fixed on a cell phone.    She wears more makeup than her young skin requires, and her dishwater blonde hair is pulled into a bun at the back of her head.

I notice these two, in part, because the girl can hardly walk.  She's wearing denim blue jeans and platform shoes that add about three inches to her height.  The jeans  are not yoga pants or tights, but they might as well be.  That's how snug they are.  Between the shoes and the jeans, it's not difficult to figure out why she walks like a robot without bending her knees.  And yet, she clip-clops into the store as if evolution had always intended for humans to walk this way.

I can't see my own face, but I don't think I react.  The sight of a skinny teenage girl in tight jeans doesn't do anything for me.    I see her as a girl in the process of growing up.  And that's about it.  

For the guy entering the store a few feet behind the girl, however, something different is going on.  

I don’t care about Jeffrey Epstein.  I care about the girls.  I see the term “Lolita Express” in the news alongside passenger logs that include the names of rich and famous men, most of whom are white,  and the only relief I feel is that Epstein did not have the audacity to give that name to the aircraft himself.  The reference to Nabokov's famous novel came from the press, as did the nickname for the 72-acre island he owns in the Caribbean—"Orgy Island."  ​

Cute, but it's not funny
Lolita is a tragic figure.  She is completely undone by the lust of a sophisticated, well-educated adult, who by possessing the object of his desire transforms it into something entirely different, initiating her demise.  The novel is a double tragedy.  It is  the story of Lolita's ruin and that of her putative stepfather and abductor Humbert Humbert.

Consider what it means to call Espstein's airplane "Lolita Express."  Especially when the alleged sex trafficking of underage girls is part of the equation and an alleged open secret.

Nestled on an island far across the Pacific, the Hotel G20 requires the most exclusive credentials in the world.   It's an invitation-only getaway.  Crimes have been committed to earn a place here.  Or so it's been said.  As with most exclusive hideaways, what you see on the surface (should you fly a drone over), is nothing compared to what Hokusai art lovers might call the "thunderstorm beneath the summit."  It is here that the Short-Fingered Vulgarian meets with his boss, The Bare-Chested Horseman, to go over the books.  
               
Although he nods agreeably at the spreadsheet, the Bare-Chested Horseman is not pleased.  His undilated pupils tighten to the size of pinpricks.  Two black dots in a pair of unblinking eyes.  Something is bothering him.
                 
“Idiot!  Did you really rape some woman in a department store?”

 “How do I know, boss?”  Though he tries to look bemused, the short-fingered Vulgarian seems bewildered.  “You think I keep track of ‘em all?  But I did read that excerpt from her book, and—”

 “You read it?”

“Well I had Huck read it to me over the phone.  Anyway, it sounds kind of familiar. Especially the part about pushing her into a fitting room.  But she wanted it, boss.  She was laughing the whole time.  Besides, you can do stuff like that when you’re famous.”

“So you keep telling me.  But once again your sordid past threatens to jeopardize everything we’ve worked for.  What are you trying to do to me?”​

Before we get too carried away by the fit-unprintable events in today's headlines, let's take a moment to enjoy the latest uplift from the world of coffee.  Apparently, it can help you lose weight!   But you've got to be careful.  No more than three cups a day.  And no java past 1:00 PM if you want to get the much-needed deep sleep that keeps you healthy, wealthy and wise. That's because caffeine stays with you for six hours.  Yikes!  Here's the skinny in a two-minute summary via Gayle King and pals on CBS This Morning.

We can't just let that kind of news sit there without celebrating--can we?  So let's raise a cup in joyful gratitude with this fun version of Bach's Coffee Cantata, the gritty heat of Beth Hart and Joe Bonamassa, the cool piano of Ray Charles, and a Paris DJ set from Black Coffee himself.  Because after all--whether you like it hot or cold, espresso, pressed or dripped--there's no time like the present to   acknowledge the bean without which life would be as dull as a "shriveled-up roasted goat."  (Watch Bach's hilarious cantata with English subtitles to catch the reference.)

Ellen DeGeneres read it because Michelle Obama told her to.  Bill Gates said it’s even better than you’ve heard.  Barack Obama put it on his best books list.  So did Amazon.  Time Magazine named its 32-year-old author to its Top 100 list.  I read it for all these reasons and because a retired high school headmaster, one of my best friends, encouraged me to.  
 
You might not think a book about going to school would read like a page-turning thriller.  But Tara Westover’s Educated does just that.  It is without question one of the most extraordinary books I’ve ever read. 
 
Even if you have to wait twenty weeks to get it from your local public library (as I did)—here’s why you should read it.  Westover’s story is not just about getting a highfalutin degree.  It’s about her multi-leveled struggle to become herself against insufferable odds.  This is what Jungians call individuation.  It’s what Dr. Wayne Dyer referred to as “leaving the tribe.”  You think that’s easy?  Try it.
 
But Westover’s memoir is more than that.  Raised by survivalist parents on an Idaho mountain, her obstacles include the people she loves—her family.  They involve received ideas about God and religion—the Mormon fundamentalism she was brought up with.  She must climb over a wall that includes unquestioned loyalty to male power figures.  You’re a woman, ain’t you?  Well, this is a kitchen. ​