'You're a Woman, Ain't you? Well, this is a kitchen.' Why Tara Westover's 'Educated' Will Remain a Must-Read for a Very Long Time
Ellen DeGeneres read it because Michelle Obama told her to. Bill Gates said it’s even better than you’ve heard. Barack Obama put it on his best books list. So did Amazon. Time Magazine named its 32-year-old author to its Top 100 list. I read it for all these reasons and because a retired high school headmaster, one of my best friends, encouraged me to.
You might not think a book about going to school would read like a page-turning thriller. But Tara Westover’s Educated does just that. It is without question one of the most extraordinary books I’ve ever read.
Even if you have to wait twenty weeks to get it from your local public library (as I did)—here’s why you should read it. Westover’s story is not just about getting a highfalutin degree. It’s about her multi-leveled struggle to become herself against insufferable odds. This is what Jungians call individuation. It’s what Dr. Wayne Dyer referred to as “leaving the tribe.” You think that’s easy? Try it.
But Westover’s memoir is more than that. Raised by survivalist parents on an Idaho mountain, her obstacles include the people she loves—her family. They involve received ideas about God and religion—the Mormon fundamentalism she was brought up with. She must climb over a wall that includes unquestioned loyalty to male power figures. You’re a woman, ain’t you? Well, this is a kitchen.
“Of course they’re guilty. How is it possible for men to cross women time and time again and go unpunished? If men were held accountable they’d hang hour after hour, every day of the year.”
This crucial line from the new adaptation of Wilkie Collins' A Woman in White comes during the first 60 seconds of a visually striking five-part series on PBS. But something about it seems all wrong. Not because it lacks truth but because it does Collins' novel an injustice.
Part of the fun of the story--one of the first and finest mysteries ever written--is deciding for yourself who did what to whom and whether they're guilty or not.
This 2018 adaptation seems to tip the hand in favor of certainty from the get-go. Its avenging-victim theme is so pronounced, I wondered if screenwriter Fiona Seres was more interested in making a case for #MeToo than in remaining true to the taut thread of suspense that makes the book such a thrilling ride
I like big books, and I cannot lie. My background includes talk radio, newspapers and TV news. I've hosted a morning-drive classical music program on the California coast and published nationally in Reader's Digest, the Christian Science Monitor, and Playboy. I've won awards for my journalism and my fiction. One of my essays even made it into an anthology for college English courses. For real? Yes, for real.
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